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Jul 25, 2008 - 11:30 PM
| Audio Impressions Previews DVZ Strings |
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| Audio Impressions Previews DVZ Strings at audioMIDI Event July 26
Audio Impressions will conduct a public preview of the release version of DVZ Strings virtual instruments and 70-piece orchestral string library at the audioMIDI.com Film & TV Composition Clinic on July 26.
DVZ Strings includes samples of Stradivari and Guarneri instruments and it features groundbreaking technologies developed to produce real-time, real-world orchestral balance for accurate score realization. A hallmark of the DVZ product is the ability to specify the size of a particular section, and to direct that when more than one note is played simultaneously for a section, the section is divided among the notes, rather than doubled where the entire section play both notes.
The product also features Audio Impressions' SPACE, Decca Tree and microphone cross-bleed simulation software with continuously variable room size and acoustic adjustments.
Audio Impressions' future releases will include DVZ Winds, DVZ Brass, and Ai Percussion. The company has positioned its Audio Impressions Realtime Instruments Libraries for film, TV and videogame composers with demanding deadlines and for live theater performances and music education.
The audioMIDI.com clinic will also feature presenters from Apple, Apogee, Ilio, Native Instruments, Yellow Tools, Steinberg, Mark of the Unicorn, Antelope Audio, JBL, Equator Audio, Euphonix, Celemony and ADAM Professional Audio.
Keynote speakers for Audio Impressions will include composer and CEO Chris Stone and composers Joel Goldsmith ("Stargate: Atlantis," "Call of Duty 3") and Kevin Kiner ("CSI: Miami," "Star Wars: The Clone Wars").
For more information, price and availability visit: www.audioimpressions.com
For more information on the audioMIDI composer Film & TV Composition Clinic, visit: http://go.ennectevent.com/SitePages/Index.aspx?eventID=1237
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| The audioMIDI.com Film & TV Composition Clinic |
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| Saturday, July 26th, 2008 from 10 am to 4 pm in Chatsworth, CA.
Please join the creators of Audio Impressions for the first public preview of their release version DVZ Strings, Ai’s virtual instruments and high-resolution 70 piece orchestral string library.
Ai’s DVZ Strings includes samples of priceless Stradivari and Guarneri instruments and it features groundbreaking and never-before-available technologies developed to produce real-time, real-world orchestral balance for accurate score transcription. Included is Audio Impressions’ SPACE, Decca Tree and microphone cross-bleed simulation software with continuously variable room size and acoustic adjustments to once-and-for-all eliminate the overdubbed sound that has characterized sample libraries of the past.
Audio Impressions’ future releases include DVZ Winds, DVZ Brass, and Ai Percussion. Audio Impressions Realtime Instruments Libraries are ideal for film, TV and videogame composers with demanding deadlines and for live theater performances; as well, they are essential tools for music education.
More information, price and availability will be appearing on our website shortly: www.audioimpressions.com
Ai’s Keynote speakers:
Chris Stone, Film and TV Composer and CEO of Audio Impressions, Inc.
Joel Goldsmith, Film/TV composer for Stargate: The Ark of Truth, Stargate: Atlantis and Call of Duty 3
Kevin Kiner, Film and TV Composer for CSI: Miami, Star Wars: The Clone Wars
Presenters:
Apple
Apogee
Ilio
Native Instruments
Yellow Tools
Steinberg
Mark of the Unicorn
Antelope Audio
JBL
Equator Audio
Euphonix
Celemony
Audio Impressions
ADAM professional Audio.
The Details:
AudioMIDI.com in Chatsworth, CA
10 am to 4 pm on July 26th, 2008
FREE parking and refreshments
Admission is $10, and is refundable on any $10 or more purchase.
Please call (818) 993-0772 if you have any questions.
Participants, Vendors, and Guest Speakers subject to change
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| DVZ Strings 1st public preview |
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|  Audio Impressions is releasing their new high resolution DVZ orchestral libraries, virtual instruments and groundbreaking DSP technologies which together produce real-world orchestral balance which until now has only been possible using live musicians.
DVZ® Strings, is comprised of 70 instruments: 18 Violins I, 16 Violins II, 14 Violas, 12 Celli, 10 Basses including 10 first and second player soloist which have been individually recorded note for note in London's finest studios using rare vintage microphones and the world’s best musicians playing priceless Guarneri and Stradivari instruments.
AI’s sample libraries are designed for accurate score transcription and lets you control the musician count, from a full string orchestra, string quartet right down to soloist while preserving the proper sound-power balance regardless of how many or how few notes are played.
AI’s included SPACE program duplicates the conditions on a soundstage by providing infinitely variable control over instrument placement, room size and acoustics as well as for Decca Tree overheads and spot microphone position and cross-bleed.
DVZ Orchestral libraries are ideal for anyone using computers to create music, live theater and for music educators.
For more information go to: www.audioimpressions.com
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| Native Instruments releases URBAN ARSENAL |
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|  Native Instruments today released URBAN ARSENAL, a powerful collection of production-ready sound material for contemporary hip-hop and similar music styles. Created in collaboration with established urban music producers and sound designers, the latest entry in the KORE SOUNDPACK range provides a versatile assortment of professional hip-hop grooves, drum kits and instrument sounds for use in KORE 2 and the free KORE PLAYER software instrument.
At the heart of URBAN ARSENAL is a comprehensive collection of authentic hip-hop grooves and drum kits, which can be easily tweaked and transformed through the innovative sound shaping and control features of the KORE platform, providing sonic flexibility far beyond conventional sample libraries. Over 1,000 sampled drum sounds form the basis for 40 groove sets and 32 drum kits, including an exclusive "human beatbox" kit from beatboxing champion Mando.
With over 15,000 overall groove variations, a powerful "Instant Remix" function and many other creative features, URBAN ARSENAL makes it easy to create the sonic foundation for contemporary hip-hop tracks, offering all the features and resources for both intricate beat programming and an intuitive construction-kit approach.
The groove material of URBAN ARSENAL is complemented by 50 sample-based instrument sounds that use the KONTAKT engine integrated in KORE, offering an assortment of typical brass, strings, bass and leads sounds as well as a collection of mini-scratches.
Additionally, the sound pack includes 70 new synthesizer sounds that take advantage of the integrated engine of the powerful MASSIVE synthesizer, with a range of inspiring leads, sub basses, pads, bells and mallets specifically designed for urban music styles. All instrument sounds can be adjusted, tweaked and even morphed using the intuitive macro controls and Sound Variation features of KORE 2 and KORE PLAYER.
For maximum sonic impact, many sounds in URBAN ARSENAL have also been specially processed and pre-mastered using a range of premium outboard gear, including various classic compressors, EQs and tape reel machines. Selected instrument sounds have even undergone a sophisticated "dubplate resampling" process in the acclaimed "Dubplates & Mastering" studios in Berlin for authentic vinyl feel.
URBAN ARSENAL is available for download purchase in the NI Online Shop for a suggested retail price of $119 / 99 EUR.
More information on URBAN ARSENAL including audio demos can be found at
www.native-instruments.com/urbanarsenal.info
About Native Instruments:
Native Instruments is the pioneer and market leader in the field of software instruments, and one of the key players in the market of computer-based audio production technology. The company's mission is to develop outstanding musical tools for all styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.
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| Digidesign Eleven is a Natural Fit for Navarro |
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| “I’ve never found anything that simulates a speaker cabinet like this before.”
 From his edgy, driving riffs with the Red Hot Chili Peppers and Jane’s Addiction to his recent DJ-based collaborations, guitarist Dave Navarro has always been a musical and technological pioneer, unafraid to stray from the conventional and embrace the latest in leading-edge technologies.
Navarro, who is presently in the midst of a club tour with DJ Scribble, has been working with an eclectic range of musicians and producers to create musical content that blends the best of rock, hip hop, and esoteric styles. Joined by his long-time engineer, Mike Riescha, Navarro has been laying down the goods in his Pro Tools|HD®-equipped studio, largely eschewing his massive collection of amplifiers in favor of Digidesign’s new guitar amp emulation plug-in, Eleven™.
“I’m a purist—I’ve always played through amps,” Navarro explains. “I’ve tried pretty much every amp plug-in there is, but I’ve never found anything that simulates a speaker cabinet like this before. It’s really got the bite and the attack that’s missing from most plug-ins, and it’s as responsive to my playing as a real tube amp.”
But it’s not only in the studio where Eleven has proven its worth—Navarro is beginning to use it more and more for live performances as well. “We’re doing a lot of mashups,” he explains, “and one of the problems I found was that the sound of my live amp setup was overpowering the music. Using Eleven, the sounds I get blend far better into the mix.”
On the road, Eleven has enabled Navarro to bring an arsenal of “virtual” amps right along with him. “I do a lot of writing in hotel rooms,” he says. “I can use Eleven on a laptop, and it’s easy for me to drop in a part and have a guitar track that’s usable for a final product—not just a rough track I have to redo later.”
Long on the cutting edge as an artist, Navarro is quick to point out why Pro Tools® and plug-ins such as Eleven are playing such a significant role in the evolution of the music industry. “As we all know, the music industry is changing. Digital technology has become the great enabler, allowing us to create our content as we choose—a song at a time, or a whole concept album—and put it all online. And no company has contributed to that creative control more than Digidesign.”
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| AUDIO-TECHNICA LAUNCHES AT2035 AND AT2050 LARGE-DIAPHRAGM SIDE-ADDRESS MICROPHONES |
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| Audio-Technica expands its large-diaphragm offerings with the introduction of two new 20 Series side-address condensers
 Audio-Technica, a longstanding leader in transducer technology, launches the AT2035 Cardioid Condenser Microphone and the AT2050 Multi-Pattern Condenser Microphone. These new large-diaphragm side-address mics join the acclaimed AT2020, AT2010, AT2041SP and AT2020 USB as members of Audio-Technica's expanding 20 Series, known for its outstanding performance and versatility.
The AT2035 Cardioid Condenser Microphone represents an exceptional value while offering all the performance advantages of a high-quality studio and stage microphone. Intended for a wide variety of miking applications, including overheads, acoustic instruments and guitar cabinets, it features a large diaphragm for smooth, natural sound and low noise. High SPL handling and a wide dynamic range offer unmatched versatility, and a custom shock mount provides superior isolation. The mic's cardioid polar pattern reduces the pickup of sounds from the sides and rear, improving isolation of the desired sound source.
Designed to provide versatility in the most demanding recording applications, the AT2035 has a fixed cardioid polar pattern and features excellent performance specifications, including: a flat, extended frequency response (20-20,000 Hz); high SPL handling capability (148 dB, 158 dB with the 10 dB pad); and an element yielding extremely low self-noise (12 dB SPL). Employing Audio-Technica's modern engineering and manufacturing technology, every aspect of the AT2035 has been tailored for a very smooth, natural sound while ensuring maximum accuracy, making it a perfect complement for today's digital recording equipment.
The AT2050 Multi-Pattern Condenser Microphone is ideal for studio use and live sound productions with vocals, piano, strings, overheads, guitar amps and more. It offers three switchable polar patterns: omni, cardioid and figure-eight. Its dual large diaphragm capsule design maintains precise polar pattern definition across its full frequency range (20-20,000 Hz). The AT2050 has the ability to handle high SPL's (149 dB, 159 dB with the 10 dB pad) with extremely low self-noise (17 dB SPL). In addition, its dual diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Finally, its state-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards.
Both microphones feature a switchable integral 80 Hz high-pass filter and a 10 dB pad. The filter provides easy switching from a flat frequency response to a low-end roll-off. The high-pass position reduces the microphones' sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise. Output from each microphone's XLRM-type connector is low impedance (Lo-Z) balanced; each mic comes with a shock mount and a protective pouch.
The AT2035 Cardioid Condenser Microphone and the AT2050 Multi-Pattern Condenser Microphone will be available August 2008 with pricing as follows:
AT2035 $249.00 U.S. MSRP
AT2050 $369.00 U.S. MSRP
About Audio-Technica:
Celebrating over 45 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.
For more information on the complete range of Audio-Technica products, contact Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224. Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com
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| API TO INTRODUCE THE NEW ARSENAL AUDIO LINE AT SUMMER NAMM |
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API (Automated Processes, Inc.) has established a brand new line of analog signal processing products - Arsenal Audio. The new line provides an outlet for the company to innovate and expand beyond the core technology on which API has built its reputation since it was established in the late 1960s. Arsenal
Audio will launch at Summer NAMM in Nashville (Booth #322) with an initial offering of three new products - the R20 two-channel mic pre and the R24 two-channel four-band EQ, plus the V14 four-band VPR 500 format equalizer.
Arsenal Audio products feature robust design standards in a solid, reliable package, providing user confidence in both the audio performance and the build quality. Each unit is hand assembled and designed to provide years of great sounding, analog audio performance at a surprisingly affordable price.
The Arsenal R20 is a meticulously detailed and solidly constructed dual-channel microphone preamplifier. Designed from the ground up by API's design team, the R20 features low-noise, high-quality inputs for both mic and instrument in a rack-mount chassis with internal power supply. Each
channel includes rotary gain control plus individual toggle switches for phantom power, phase, pad and mic/instrument input selection.
The dual mic preamps each offer up to 55dB of gain, while each front panel, high-impedance instrument input provides a maximum of 31dB of gain. Each channel's pad switch attenuates the mic input by -20dB, or the instrument input by -10dB. A pair of traditional analog VU meters with separate peak indicators is used for output metering. Both XLR and 1/4" outputs are fully balanced.
The Arsenal R24 features two identical channels of equalization modeled after the classic APSI model 562. The R24 is rack-mounted with internal power supply and delivers an affordable combination of rugged construction and solid performance. Individual continuously variable control knobs allow
for separate adjustment of frequency and gain. All four bands are peak/dipping parametric design with 12dB of boost/cut per band. EQ in/out is controlled by classic toggle switches. The Arsenal R24 includes a custom transformer-balanced output with extended headroom of +23dB.
The Arsenal V14 is an extremely high-quality four-band equalizer modeled after the classic APSI model 562 EQ, and is designed for the popular API VPR 500 series rack format. Controls include dual concentric pots providing continuously variable adjustment of frequency and gain, plus an EQ in/out
switch. All four bands offer peak/dipping parametric configuration with 12dB of boost/cut per band. The Arsenal V14 includes a custom transformer-balanced output with extended headroom of +24dB.
"We're excited about establishing a new brand that compliments API so well," said Larry Droppa, API's president. "Arsenal Audio allows us to offer different technologies, and a different set of creative tools, to help people make music, which is exactly what API has been doing for decades."
Automated Processes, Inc. remains the leader in analog recording gear, with the Vision, Legacy Plus and 1608 recording consoles, as well as the classic line of modular signal processing equipment.
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| NEUMANN CELEBRATES ITS 80th ANNIVERSARY WITH THE LAUNCH OF THE TLM 67 |
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|  In the world of studio microphones, the numbers "47" "67" and "87" have associations that inspire enthusiasm among professionals. It is no coincidence that the name of the new TLM 67 contains the number "67". In many respects, the TLM 67 - which makes its debut at Summer NAMM - is based on the "workhorse" of the 1960s, the legendary U 67.
Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.
The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10dB pre-attenuation, and high-pass filter permit detailed adjustments to be made depending upon the specific recording situation.
The TLM 67 introduces a novel Neumann dual-color design. The pearl-gray of the microphone body combined with the classic 'Neumann nickel' lends the microphone a touch of distinctive individuality. On the occasion of its 80th anniversary, the Neumann company is honoring its founder, George Neumann, with a three-dimensional metal emblem on the front of the TLM 67.
As Wolfgang Fraissinet, president of marketing/sales at Neumann Berlin explains, "The design and circuit technology of the TLM 67 represent a contemporary development of the U 67, conveying its positive attributes to the present era."
NEUMANN
Neumann's award-winning line of microphones has set the standard in the industry since 1928. In 1999, Neumann received the prestigious Technical Grammy(r) for its 70 years of innovation in microphone design and contribution to the music industry. A continuing commitment to provide innovative, technically-refined products and engineering solutions of proven quality ensures that Neumann's stature will remain unassailable.
Neumann is proudly affiliated with the Sennheiser Group, which also encompasses Klein + Hummel (renowned sound reinforcement solutions) and Sennheiser Communications (technologically advanced headsets for PCs, offices and call centers). Neumann products are distributed exclusively in the United States, Mexico, Central and South America and the Caribbean through Sennheiser Electronic Corporation, located in Old Lyme, Connecticut.
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| Distribution network of JZ Microphones is expanding rapidly |
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|  The last quarter has witnessed noticeably increasing interest of many customers and distributors all over the world about JZ products and signing a couple of very prosperous distribution contracts. Now JZ Mics are available in more than 70 countries!
“We are very glad that people from different countries worldwide are interested in our products and want to cooperate with us. I think it can be explained by shortage of something new and fresh in microphone market because Black Hole is absolutely innovative mic and differs from others not only in design but also sound,” says Edijs Rudzis, international sales manager.
As the most significant agreements of distribution should be mentioned those signed in the UK (Funky Junk), Benelux region (Selectronic), Poland (MJAudio), Switzerland (Audistro) etc. JZ Microphones has also signed a contract with ELPRO about representation in Asia Pacific and Middle East region.
“Nowadays when there is a wide choice of microphones and the same kind of prices, people are evaluating quality of products very carefully,” says Juris Zarins, designer of the microphones. “Our advantage is that our mics are handcrafted and hand tested and because of the new technologies and innovative capsules the sound of the new mics has been already recognized and people gladly prefer it. Besides we give a five year warranty from the day of purchase!”
The good quality and sound of Black Hole has been recently proven also by three endorsement contracts signed with well known and famous high profile users, such as Andy Gill (Jesus Lizard, Gang of four, Red hot chilli peppers, Bono), Steve Orchard from Air Studios (U2, Travis, Paul McCartney, films: Casino Royale, Moulin Rouge, Charlie & The Chocolate Factory) and Tino Oac (Söhne Mannheims, Backstreet Boys, No Angels, Tic Tac Toe).
JZ Microphones was established in September 2007 in Latvia. The main goal was to develop modern and innovative recording equipment and high quality microphones. The main focus of the new company was in developing new product line under the JZ brand.
For more information, please visit our web site at www.jzmic.com.
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| STEREO RECORDING IN THE PALM OF YOUR HAND. |
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| Looks like a cool little recorder for my iPod
Record stereo direct-to-iPod with ProTrack. Capture live audio anywhere and anytime with the convenience of your iPod (Classic and 5th generation) and iPod nano (2nd or 3rd generation). Just slide your iPod into the integrated sled and you're ready to roll.
You can record without additional equipment using the built-in pair of condenser microphones fixed in XY configuration. ProTrack also gives you a pair of combo XLR - 1/4-inch inputs so you can connect any professional sound source including external microphones. When running on plug-in power using the included AC adapter, ProTrack supplies 48V phantom power.
Its exterior contains a Universal Dock for iPod, LED signal indicators, and controls for 48V phantom power, limiter, and volume. ProTrack gives you four to five hours of operation on four AAA batteries, or it can run on AC power using the included adapter. A threaded mount allows you mount it on a tripod for tabletop use.
ProTrack is the easiest way to capture sound effects, recitals, jam sessions, speeches, interviews, rehearsals, performances, meetings, lectures, notes-to-self, and anything else you can thing of... directly to your iPod!
iPod and iTunes are trademarks of Apple Inc., registered in the U.S. and other countries.
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| Digidesign Releases Pro Tools for Leopard |
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|  Digidesign, a part of Avid Technology, Inc. (Nasdaq: AVID), announced today the immediate availability of Pro Tools® 7.4.2 software, which provides Mac OS X 10.5.3 (Leopard) compatibility for Pro Tools|HD®, Pro Tools LE®, and Pro Tools M-Powered™ users. Product update details can be found below.
“Since the release of Mac OS X Leopard, we have been working closely with Apple to ensure that a Leopard-compatible version of Pro Tools delivers the same level of performance and reliability that our customers have come to depend on,” commented Dave Lebolt, Avid vice president and general manager of Digidesign. “With the release of Mac OS X 10.5.3 just a few weeks ago, we were able to enter the final stages of performance testing and quality assurance before making qualified versions of Pro Tools available to our customers. We’re pleased to finally be able to offer all of our customers—HD, LE, and M-Powered alike—a fully qualified version of Pro Tools software that will allow them to take advantage of Apple’s latest operating system.”
Lebolt continues, “Digidesign is fortunate to have one of the largest and most dedicated user communities in professional audio. From hobbyists to high-end pros, Pro Tools users rely on our products every day to attain a level of performance and stability that allows them to create award-winning work — it’s often the primary toolset that they depend on to earn their living. That’s why we’re extremely committed to ensuring that any Pro Tools release is fully-tested and ultimately reliable before it’s introduced to our users.”
Availability
All registered Pro Tools 7.4 users may download the free Pro Tools 7.4.2 software update from the Digidesign website. Purchasers of new Pro Tools systems or software will receive the free update to Pro Tools 7.4.2 upon registration.
Current Pro Tools users who have not yet upgraded to Pro Tools 7.4 software* can purchase a 7.4.2 upgrade from the DigiStore (HD, LE, and M-Powered) or an authorized Digidesign dealer (HD only).
Plug-in Compatibility
Some currently shipping plug-ins and virtual instruments are not yet compatible with Pro Tools 7.4.2 software running on Mac OS X 10.5.3, and some require that users update their plug-ins if an update is available. Before installing the Pro Tools HD 7.4.2 update, users should review the Pro Tools Plug-in Compatibility with Leopard page, which is updated regularly with the latest information.
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